Level – 1
* Sapta Swarams
* Saralivarisas 1 to 15 – with akāra sādhakam
* Madhyastayi varisas
* Janta varisas 1 to 10 – with akāra sādhakam
* Dhattu varisas 1 & 2 ‐ with akāra sādhakam
* Sruti swara exercises
* Theory‐ Introduction to Indian Music ‐ Nadam, Sruti, Swaram, Tālam etc.
Level – 2
* Thārastāyi varisas
* Mandrastāyi varisas
Sapta tāla alankāras in 5 different mela rāgas with akāra sādhakam
1. Pantuvarali (Kamavardhini)
2. Kharaharapriya
3. Sankarabharanam
4. Kalyani
Tāla exercises in alankāras – mixing of Trikālas
Theoryo Sapta Tālas
1. Introduction about rāgas
2. Rāga classifications in general
Special training for ear‐ swara identification.
Level – 3
Alankārās in 5 different janya rāgas with akāra sādhakam
1. Mohanam
2. Hamsadhwani
3. Abhoji
4. Sudhasaveri
5. Sudhadanyasi
Geetham – (5nos)
1. Malahari
2. Mohanam
3. Kalyani
4. Arabhi
5. Saveri
Theory ‐ Different Musical forms
Geetham, Lekshnageetham, Jathiswaram, Swarajathi, Varnam, Keerthanam, Kriti
Level – 1
Ādi tāla varnam – 2 nos in the following ragas:
1. Mohanam
2. Abhogi
Kritis in Mohanam (Sadapālaya ) and abhogi (Nannubrovani)
Small kritis ‐ (4 nos) o Gajananayutam (Chakravakam)
1. Sree Saraswathi (Ārabhi)
2. Himadrisuthe (Kalyani)
3. Elara Krishna (kamboji)
Ashtapadi / Tevaram (any one)
Theory : Gamakās – Dasavidha gamakās
Level – 2
Ādi tāla varnam ‐ 4nos o Hamsadhwani (with trisram)
1. Vasantha
2. Pantuvarali
3. Todi
Various kritis
1. Hamsadhwni ‐ vatapi Ganapathi
2. Kanada – Mamava Sada Janai
3. Theory: 72 melakartha system
Level – 3
Ādi tāla varnam – 2 nos
1. Saveri
2. Kalyani
Ata tāla varnam ‐ 1
1. Sankarabharanam
Various kritis 2 nos
1. Mayamalavagowla- Deva Deva Kalayamithe
2. Natta – Maha Ganapathi
Theory : Composers in South Indian Music
1. Purandaradasa
2. Tyagarajaswamikal
3. Muthuswami Dikshitar
4. Syamasastrikal
5. Maharaja Swathi Thirunal
Advanced Level
Level – 1
Ata tāla varnam – 2nos
1. Kanada / Bhairavi
2. Kamboji / Todi
Kritis 5 nos
Pancharatnam – Tyagaraja ‐ 1
Rāgālapana‐ Bahiravi, Abheri, Poorvikalyani, Haraharapriya, Kalyani
Theory: o About Music Concert
Level – 2
Pancharatnam – Tyagaraja ‐ 2
Kritis of post trinity composers (Any 3)
1. Pattanam subrahmanya Iyer
2. Papanasam sivan
3. Neelakanta sivan
4. Muttayya bhagavater
5. KC Kesavapillai
Tillana – any one
Ragamālika ‐ any one
Theory: Voice culture
Level – 3
Daruvarnam ‐ 1
Pancharatnam ‐ 1 and 2
1. Entaromahanubhavulu – Sreeragam
Swarajathi of Syamasastri ‐ 1
1. Ravehimagirikumari ‐ Todi raga
Navarātrikriti – 1
Kritis o Shudha Dhanyasi – Himagiri
1. Kalyani – Himadrisute Pahima
2. Kanada – Alaipayuthey Kanna
3. Abheri – Nagumomu Ganaleni
Tillana – any one
Theory Manodharma sangeetam
1. Rāgālāpana (Sangraha ālāpana, sampoorna ālāpana)
2. Niraval
3. Kalpanāswaram
Book a Free Trial Class
Beginnere Level
Level – 1
* Sapta Swarams
* Saralivarisas 1 to 15 – with akāra sādhakam
* Madhyastayi varisas
* Janta varisas 1 to 10 – with akāra sādhakam
* Dhattu varisas 1 & 2 ‐ with akāra sādhakam
* Sruti swara exercises
* Theory‐ Introduction to Indian Music ‐ Nadam, Sruti, Swaram, Tālam etc.
Level – 2
* Thārastāyi varisas
* Mandrastāyi varisas
Sapta tāla alankāras in 5 different mela rāgas with akāra sādhakam
1. Pantuvarali (Kamavardhini)
2. Kharaharapriya
3. Sankarabharanam
4. Kalyani
Tāla exercises in alankāras – mixing of Trikālas
Theoryo Sapta Tālas
1. Introduction about rāgas
2. Rāga classifications in general
Special training for ear‐ swara identification.
Level – 3
Alankārās in 5 different janya rāgas with akāra sādhakam
1. Mohanam
2. Hamsadhwani
3. Abhoji
4. Sudhasaveri
5. Sudhadanyasi
Geetham – (5nos)
1. Malahari
2. Mohanam
3. Kalyani
4. Arabhi
5. Saveri
Theory ‐ Different Musical forms
Geetham, Lekshnageetham, Jathiswaram, Swarajathi, Varnam, Keerthanam, Kriti
Intermediate Level
Level – 1
Ādi tāla varnam – 2 nos in the following ragas:
1. Mohanam
2. Abhogi
Kritis in Mohanam (Sadapālaya ) and abhogi (Nannubrovani)
Small kritis ‐ (4 nos) o Gajananayutam (Chakravakam)
1. Sree Saraswathi (Ārabhi)
2. Himadrisuthe (Kalyani)
3. Elara Krishna (kamboji)
Ashtapadi / Tevaram (any one)
Theory : Gamakās – Dasavidha gamakās
Level – 2
Ādi tāla varnam ‐ 4nos o Hamsadhwani (with trisram)
1. Vasantha
2. Pantuvarali
3. Todi
Various kritis
1. Hamsadhwni ‐ vatapi Ganapathi
2. Kanada – Mamava Sada Janai
3. Theory: 72 melakartha system
Level – 3
Ādi tāla varnam – 2 nos
1. Saveri
2. Kalyani
Ata tāla varnam ‐ 1
1. Sankarabharanam
Various kritis 2 nos
1. Mayamalavagowla- Deva Deva Kalayamithe
2. Natta – Maha Ganapathi
Theory : Composers in South Indian Music
1. Purandaradasa
2. Tyagarajaswamikal
3. Muthuswami Dikshitar
4. Syamasastrikal
5. Maharaja Swathi Thirunal
Advanced Level
Advanced Level
Level – 1
Ata tāla varnam – 2nos
1. Kanada / Bhairavi
2. Kamboji / Todi
Kritis 5 nos
Pancharatnam – Tyagaraja ‐ 1
Rāgālapana‐ Bahiravi, Abheri, Poorvikalyani, Haraharapriya, Kalyani
Theory: o About Music Concert
Level – 2
Pancharatnam – Tyagaraja ‐ 2
Kritis of post trinity composers (Any 3)
1. Pattanam subrahmanya Iyer
2. Papanasam sivan
3. Neelakanta sivan
4. Muttayya bhagavater
5. KC Kesavapillai
Tillana – any one
Ragamālika ‐ any one
Theory: Voice culture
Level – 3
Daruvarnam ‐ 1
Pancharatnam ‐ 1 and 2
1. Entaromahanubhavulu – Sreeragam
Swarajathi of Syamasastri ‐ 1
1. Ravehimagirikumari ‐ Todi raga
Navarātrikriti – 1
Kritis o Shudha Dhanyasi – Himagiri
1. Kalyani – Himadrisute Pahima
2. Kanada – Alaipayuthey Kanna
3. Abheri – Nagumomu Ganaleni
Tillana – any one
Theory Manodharma sangeetam
1. Rāgālāpana (Sangraha ālāpana, sampoorna ālāpana)
2. Niraval
3. Kalpanāswaram
Book a Free Trial Class
At Divya Music Classes, we believe that distance should never be a barrier to musical mastery. With over 15 years of experience in nurturing talent, we have transitioned from the traditional classroom to a high-tech, high-touch online environment.
Learned Carnatic music from the age of 4 under the guidance of Guru Dr. K Omanakutty Amma, the same lasted for almost 15 years, further studied B.A. Music with Diploma in Journalism. At the same time did lot of Katcheri and devotional songs. In this journey of music won may accolade for singing at various stages. I teach Carnatic Vocal at different levels i.e. Beginners to Intermediate to Advanced Level. I take classes for all the age groups i.e. from Kids to Adults to Senior. I always make sure that the concepts are clear to the student and he/she can learn music at their own pace.
#1 Rated Music School in KK Nagar
Specialized Online Coaching
Path to Mastery
a written or spoken statement from someone who has used a product or service and is willing to share their thoughts publicly
Discover the beauty of Carnatic music with Divya Music Classes. Whether you are a beginner taking your first step into classical music or an experienced learner looking to refine your skills, our classes provide structured training in Carnatic vocal techniques.
At Divya Music Classes, we keep the soul of Indian classical music alive while guiding aspiring talents with expert training. Whether it’s vocals, sitar, or other classical instruments – our masters help you refine your skills and embrace the true essence of music.
At Divya Music Classes, we nurture the heart of Indian classical music while shaping the musicians of tomorrow. Whether you're passionate about Carnatic vocals, sitar, or other classical instruments, our experienced gurus help you master every note with precision and devotion.
Join Carnatic Vocal Music Classes at Divya Music Classes and master the art of melody and rhythm.
Divya Music Classes is one of the best Carnatic vocal classes in India. Divya Madam is extremely humble, kind, and very cooperative. I am a working professional, and learning here has really boosted my confidence and reduced my stress. What makes Divya Madam special is her perfect balance of practical training, strong theory, and systematic voice training; something rarely found. The vocal exercises are excellent, even in online classes, and the flexible timings suit working professionals very well. I was referred by my friends in Canada, and as part of my 2026 resolution, I started pursuing my passion for Carnatic music. Choosing Divya Music Classes has been a wonderful decision. Highly recommended
Swaroopa, Chennai
I have learning Carnatic Vocal Classes from Divya Mam since 2 years . I am working professional hence going with online classes. But I would to put in record that Divya Mam is such a wonderful person and teaches so nicely with very kind heart and flexible with my timings. I can see improvement in me, my confidence have increased , my stress level has reduced drastically , my stage fear have gone away and list goes on . I really thank Divya Music Classes and my guru Divya Madam for such a wonderful training to me. Highly recommend to everyone who want to succeed in life. India’s number one Music Classes is Divya Music Classes .
Sravani B, Trichy
One of the best Carnatic Vocal Classes in Chennai. After me my relatives in Canada has also started taking online classes. This institute is Temple for Carnatic Learners. And the very best part is the Teacher Divya Madam is so kind and supportive. Divya Madam always accommodates us in timings. She teaches so patiently and solve all our queries very nicely. Now I feel confident and more focused and my stress level has reduced very much. My relatives in Canada are very very happy and satisfied for such a great classes. Thank you Divya Madam and all the best to Divya Music Classes
Joseph Moonnu, Chennai
One of the wonderful Carnatic Music Classes in Chennai. We are enjoying the music class very much. Our son taking online music classes and it is so wonderful experience. Divya Mam is so nice and very down to earth person . Her voice is very wonderful and she teaches very nicely. All our doubts are cleared so nicely. The timings are also flexible. Divya Music Classes is gift to the society. Thank you Divya Mam. I also see some TV singing contestants learning from Divya Mam . All the best Divya Mam and Thanks for coming in our life
c natarajan